{"id":14825,"date":"2021-11-05T09:16:44","date_gmt":"2021-11-04T22:16:44","guid":{"rendered":"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/?p=14825"},"modified":"2021-11-05T10:57:01","modified_gmt":"2021-11-04T23:57:01","slug":"helping-students-learn-by-using-ancient-memory-devices","status":"publish","type":"post","link":"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/helping-students-learn-by-using-ancient-memory-devices\/","title":{"rendered":"Helping Students Learn by Using Ancient Memory Devices"},"content":{"rendered":"<p><strong>When you think of ancient memory devices you might think of a memory palace.<\/strong> This is a memory device used by memory champions to recall, quickly, a set of shuffled cards in sequence. It was a technique used by Roman orators who would imaginatively assign a piece of their speech into a physical building they knew well, such as their home. When they recited the speech, they would imaginatively move through their home retrieving the part of the speech assigned there as they performed. The part of the speech, or whatever you need to remember, can be represented as a person, animal, goddess, or any animated being, interacting with the space in an amusing or surprising manner. The more vivid the image, the easier it is to recall. <strong>Information combined with emotion moves to long-term memory.<\/strong> We remember stories more easily than dry facts.<\/p>\n<blockquote><p>Our natural memory stores information randomly which makes it difficult to retrieve. Allocating information to a filing system makes it easy to retrieve. That is the principle of <a href=\"https:\/\/memoryjohn.com\/the-memory-palace-a-short-history-and-how-to\/\" target=\"_blank\" rel=\"noopener\">using memory palaces<\/a>: it trains our memories.<\/p><\/blockquote>\n<p><strong>There are many more ancient memory devices that we can use and encourage our students to use.<\/strong> We can call these mnemonic technologies. These were taught in ancient times, in the medieval period and the Renaissance. <strong>We can consider resurrecting their use to help students today.<\/strong><\/p>\n<h2>Orality<\/h2>\n<p>Imagine you live in an ancient oral culture. Try not to think about oral cultures as lacking literacy but as fully functioning rich cultures; they didn&#8217;t know they lack literacy.<\/p>\n<p>How does your tribe communicate important information? How is the knowledge of the tribe, knowledge about how to live, how to hunt for food, how and when to trade with other tribes, how to resolve problems, how to perform rituals to honour life events, genealogies, taxonomies of plants and animals, pharmacopoeia and timekeeping, how to navigate across deserts or oceans, how is the information communicated? How is it passed down from one generation to the next?<\/p>\n<p>This knowledge may be embedded in memory devices which might be physical, like rock paintings, statues, totems, decorative art on masks or bowls, it could be told through dance and song, or might be related orally through language and stories. They created storage devices for information with layers of information, indexed and retrievable, taught in layers upon layers in a structured manner to each new generation. Knowledge was secret and protected, restricted to the initiated.<\/p>\n<blockquote><p>Let\u2019s think about the range of ancient memory devices and then consider how we can use them to help our students learn.<\/p><\/blockquote>\n<p>We might categorise these mnemonic technologies as different types of encoding or inscribing information: through language, through performing arts, on small objects, and in our environment. A leader in this field is <a href=\"https:\/\/www.lynnekelly.com.au\/?page_id=420\" target=\"_blank\" rel=\"noopener\">Lynne Kelly<\/a>, Australia&#8217;s Senior Memory Champion, who has documented her 40 memory experiments and writes that <a href=\"https:\/\/roundedglobe.com\/html\/e66869eb-0358-461c-8f45-3bfe55099a78\/en\/Grounded:%20Indigenous%20Knowing%20in%20a%20Concrete%20Reality\/\" target=\"_blank\" rel=\"noopener\">Indigenous knowledge was embedded in a concrete reality<\/a>.<\/p>\n<h2>Encoding in Language<\/h2>\n<p>All the sayings or slogans or quotes that you remember are memorable by design. In an oral culture, this could mean the difference between life and death. For example:<\/p>\n<ul>\n<li><em>Red sky at night, sailor&#8217;s delight. Red sky in morning, sailor&#8217;s warning.<\/em><\/li>\n<li><em>Look before you leap.<\/em><\/li>\n<li><em>A bird in the hand is worth two in the bush.<\/em><\/li>\n<li><em>Forewarned is forearmed.<\/em><\/li>\n<li><em>A light purse makes for a heavy heart.<\/em><\/li>\n<li><em>Fail to plan, plan to fail.<\/em><\/li>\n<\/ul>\n<p>You will notice some literary techniques used here: short sentences of monosyllabic words, alliteration, repetition, parallel constructions, use of opposites, epithets, rhythm and rhyme.<\/p>\n<p><strong>All the literary terms you learned in primary school are memory devices.<\/strong> Ancient oral memory devices became our literary devices, according to Walter J. Ong, who wrote <em>Orality and Literacy: The\u00a0<\/em><em>Technologizing of the Word<\/em> in 1982.<\/p>\n<figure id=\"attachment_14857\" aria-describedby=\"caption-attachment-14857\" style=\"width: 453px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-14857\" src=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Flaxmans_Zeichnungen_1910_021-The-Muses-give-Hesiod-a-laurel-rice-and-give-him-the-art-of-singing-Wikimedia-300x178.jpg\" alt=\"\" width=\"453\" height=\"269\" srcset=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Flaxmans_Zeichnungen_1910_021-The-Muses-give-Hesiod-a-laurel-rice-and-give-him-the-art-of-singing-Wikimedia-300x178.jpg 300w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Flaxmans_Zeichnungen_1910_021-The-Muses-give-Hesiod-a-laurel-rice-and-give-him-the-art-of-singing-Wikimedia-370x219.jpg 370w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Flaxmans_Zeichnungen_1910_021-The-Muses-give-Hesiod-a-laurel-rice-and-give-him-the-art-of-singing-Wikimedia-570x338.jpg 570w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Flaxmans_Zeichnungen_1910_021-The-Muses-give-Hesiod-a-laurel-rice-and-give-him-the-art-of-singing-Wikimedia.jpg 640w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><figcaption id=\"caption-attachment-14857\" class=\"wp-caption-text\">The Muses give Hesiod a laurel rice and give him the art of singing &#8211; Wikimedia<\/figcaption><\/figure>\n<p><strong>Mnemonics are memory devices.<\/strong> The word mnemonics is based on the ancient Greek word for\u00a0memory. The Greek goddess of memory was Mnemosyne, daughter of Gaea (Earth) and Uranus (Sky), mother of Zeus and the Muses. These are personifications or anthropomorphosis or symbols of\u00a0physical realities and concepts. A mnemonic for spelling &#8216;mnemonic&#8217; is &#8220;Memory Needs Every Method\u00a0Of Nurturing Its Capacity\u201d. The memory devices, including acronyms, are types of mnemonics.<\/p>\n<p>We naturally remember events and situations that we respond to with strong emotions or that are\u00a0surprising or have meaning for us. We remember stories because distinctive characters doing surprising things create a vivid mental image and have an emotional impact. Scholars now theorise\u00a0that the ancient mythology of Homer, which was epic oral poetry, could be stories based on memory\u00a0devices, wherein distinctive and lively characters interact with each other. For ancient mythological\u00a0stories, we remember the stories but not what they meant for ancient people. <strong>Eventually, we tell the\u00a0stories (mythologies) rather than knowing the material things to be remembered.<\/strong> Future generations\u00a0may believe it was important for us that <a href=\"https:\/\/en.wikipedia.org\/wiki\/EGBDF\"><em>&#8220;every good boy deserves fruit&#8221;<\/em><\/a>, rather than what it is a memory\u00a0device for, that is, musical notation. The clarity around what is literal and what is figurative has\u00a0disappeared for us but would have been clear for people initiated in the knowledge. Epic poets like\u00a0Homer, who was thought to be blind, memorised up to 15,000 lines which were recited over several\u00a0days of performance. <strong>This is evidence of a trained memory.<\/strong><\/p>\n<h2>Encoding in the performing arts<\/h2>\n<figure id=\"attachment_14856\" aria-describedby=\"caption-attachment-14856\" style=\"width: 197px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-14856\" src=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Mousai_Helikon_Staatliche_Antikensammlungen_Schoen80_n1-Muse-playing-lyre-Wikimedia-206x300.jpg\" alt=\"\" width=\"197\" height=\"287\" srcset=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Mousai_Helikon_Staatliche_Antikensammlungen_Schoen80_n1-Muse-playing-lyre-Wikimedia-206x300.jpg 206w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Mousai_Helikon_Staatliche_Antikensammlungen_Schoen80_n1-Muse-playing-lyre-Wikimedia-370x539.jpg 370w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Mousai_Helikon_Staatliche_Antikensammlungen_Schoen80_n1-Muse-playing-lyre-Wikimedia-570x830.jpg 570w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Mousai_Helikon_Staatliche_Antikensammlungen_Schoen80_n1-Muse-playing-lyre-Wikimedia-398x580.jpg 398w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Mousai_Helikon_Staatliche_Antikensammlungen_Schoen80_n1-Muse-playing-lyre-Wikimedia.jpg 640w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><figcaption id=\"caption-attachment-14856\" class=\"wp-caption-text\">Muse playing lyre &#8211; Wikimedia<\/figcaption><\/figure>\n<p>The use of song, dance, rhythmic music, chanting, or anything performed and repeated in rituals and\u00a0ceremonies, were ancient memory devices. Examples in teaching include singing the alphabet song\u00a0whist pointing to letters with corresponding pictures and chanting the multiplication tables. We could\u00a0expand on these from primary school uses to be more creative.<\/p>\n<blockquote><p>By asking students to create memory\u00a0devices we are asking them to shift modality to express their understanding of course content.<\/p><\/blockquote>\n<p><strong>They\u00a0need to synthesise their knowledge<\/strong>. It is a good <strong>method of assessing understanding<\/strong> and <strong>creates\u00a0memorable learning experiences<\/strong> which are shared amongst class members. The more active and\u00a0embedded in the body the stronger the memory. Remember, Mnemosyne was mother to the nine\u00a0muses who inspire the creative and performing arts. It is hard to imagine a more concise and elegant\u00a0expression that memory belongs with the arts than this relationship of lineage.<\/p>\n<h2>Encoding in small objects<\/h2>\n<p><strong>Knowledge may be embedded in memory devices<\/strong> which might be physical, like statues, totems, or\u00a0decorative art on garments, masks, Winter Counts (pictographs to mark the year), <a href=\"https:\/\/www.lynnekelly.com.au\/?p=2144\">lukasa (memory boards)<\/a>, Khipu or Quipu (knotted strings), bowls or strings of beads. These might be felt by touch or\u00a0they might be visual prompts. For example, Aboriginal dot paintings are maps, even though we may\u00a0not have recognised them as such. <strong>In oral cultures, art is the presentation or materialisation of\u00a0culture.<\/strong><\/p>\n<figure id=\"attachment_14850\" aria-describedby=\"caption-attachment-14850\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14850\" src=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia-300x208.jpg\" alt=\"\" width=\"300\" height=\"208\" srcset=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia-300x208.jpg 300w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia-768x532.jpg 768w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia-370x256.jpg 370w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia-570x395.jpg 570w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia-770x533.jpg 770w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/Quipu-Wikimedia.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-14850\" class=\"wp-caption-text\">Fragmentary quipu (khipu) composed of two main cords with subsidiary and tertiary cords, Inca, Peru, Late Horizon, 1476-1534 AD, cotton, plant fiber, indigo dye &#8211; Dallas Museum of Art &#8211; Wikimedia<\/figcaption><\/figure>\n<figure id=\"attachment_14851\" aria-describedby=\"caption-attachment-14851\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14851\" src=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia-300x205.png\" alt=\"\" width=\"300\" height=\"205\" srcset=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia-300x205.png 300w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia-768x525.png 768w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia-370x253.png 370w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia-570x390.png 570w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia-770x526.png 770w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/A_copy_of_the_winter_count_kept_by_Yanktonai_Sioux_Lone_Dog-Wikimedia.png 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-14851\" class=\"wp-caption-text\">A copy of the winter count by Yanktonai Sioux Lone Dog &#8211; Wikimedia<\/figcaption><\/figure>\n<figure id=\"attachment_14861\" aria-describedby=\"caption-attachment-14861\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14861\" src=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Brooklyn_Museum_76.20.4_Lukasa_Memory_Board_3-300x234.jpg\" alt=\"\" width=\"300\" height=\"234\" srcset=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Brooklyn_Museum_76.20.4_Lukasa_Memory_Board_3-300x234.jpg 300w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Brooklyn_Museum_76.20.4_Lukasa_Memory_Board_3-370x289.jpg 370w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Brooklyn_Museum_76.20.4_Lukasa_Memory_Board_3-570x445.jpg 570w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/640px-Brooklyn_Museum_76.20.4_Lukasa_Memory_Board_3.jpg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-14861\" class=\"wp-caption-text\">Lukasa memory board held in the Brooklyn museum &#8211; Wikimedia<\/figcaption><\/figure>\n<h2>Encoding in our environment<\/h2>\n<p>The same principle applies to larger expanded natural or built environments as touchstones for\u00a0memory.<\/p>\n<figure id=\"attachment_14852\" aria-describedby=\"caption-attachment-14852\" style=\"width: 345px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-14852\" src=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia-300x169.jpg\" alt=\"\" width=\"345\" height=\"194\" srcset=\"https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia-300x169.jpg 300w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia-768x432.jpg 768w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia-370x208.jpg 370w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia-570x321.jpg 570w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia-770x433.jpg 770w, https:\/\/educational-innovation.sydney.edu.au\/teaching@sydney\/wp-content\/uploads\/2021\/11\/800px-Stonehenge_at_sunset_03-Wikimedia.jpg 800w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><figcaption id=\"caption-attachment-14852\" class=\"wp-caption-text\">Stonehenge at sunset &#8211; Wikimedia<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.lynnekelly.com.au\/?p=797\" target=\"_blank\" rel=\"noopener\">Stonehenge<\/a> could be a memory device around which rituals were performed. These rocks could have\u00a0been erected to replicate the homeplace of a tribe who moved to another region and brought the\u00a0implements on which they had inscribed their knowledge. It would be like moving a library. Lynne\u00a0Kelly lists the ten indicators of a memory site <a href=\"https:\/\/www.lynnekelly.com.au\/?p=1377\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>Australian Aboriginal people embedded memory in landscape accompanied by songs. <a href=\"https:\/\/www.nma.gov.au\/exhibitions\/songlines\" target=\"_blank\" rel=\"noopener\">Songlines<\/a> are\u00a0pathways in which knowledge is shared, memorised and recalled by walking and singing, with stops\u00a0for rituals and rock paintings, thereby embedding knowledge in landscape. <strong>Knowledge is filed in\u00a0country, between earth and sky.<\/strong><\/p>\n<h2>Helping our students learn and connect online<\/h2>\n<p>In the physical classroom, we might use drama activities such as frozen pictures, soundscapes, or\u00a0games based on sports; the more active the better. Australian Memory Champion, Anastasia Woolmer, <a href=\"https:\/\/www.youtube.com\/watch?v=_gA2lcNWloU\">shows how she uses her dance training to scaffold her memory<\/a>.<\/p>\n<blockquote><p>The\u00a0goddess of memory, Mnemosyne, was mother of the muses. Creativity supports memory.<\/p><\/blockquote>\n<p>In our teaching, we may have assessment tasks that are multimodal and weight-bearing. However,\u00a0we can also provide opportunities for students by setting up creative plenaries, either at the end of a\u00a0lecture or tutorial or as weekly, non-compulsory, contributions to a discussion board.<\/p>\n<p>Examples might\u00a0include:<\/p>\n<ul>\n<li><strong>Express a concept visually<\/strong> &#8211; post an image connecting it to your learning and use the image as an analogy.<\/li>\n<li><strong>Create and post a video<\/strong> about something you have learned in the unit so far.<\/li>\n<li><strong>Make a meme to express something you have learned<\/strong> in the unit so far.<\/li>\n<li><strong>Share a mnemonic<\/strong> &#8211;\u00a0a device, such as a formula or rhyme, used as an aid in remembering.<\/li>\n<li><strong>Draw in stories from current affairs<\/strong> &#8211;\u00a0relate something about this unit to real-world current events.<\/li>\n<li><strong>Image analogy<\/strong> &#8211;\u00a0 teacher uploads images of random objects and students explain how the objects relate to their learning.<\/li>\n<li><strong>Share your learning as a graphic organiser<\/strong><\/li>\n<li><strong>Share a mnemonic based on an object<\/strong> &#8211; see <a href=\"https:\/\/www.bing.com\/videos\/search?q=Unjaded+Jade%3a+The+Revision+Technique+No+One+Tells+You%3a+How+to+EASILY+Remember+Anything!&amp;docid=607997198920649225&amp;mid=C8125C6A574EB187E8D5C8125C6A574EB187E8D5&amp;view=detail&amp;FORM=VIRE\" target=\"_blank\" rel=\"noopener\">Unjaded Jade<\/a> who used this ancient technique\u00a0without knowing how old it is.<\/li>\n<li><strong>Choose an object on campus<\/strong> &#8211; it may be a gargoyle, a garden, a cafe or a classroom, to encode\u00a0with learning from this unit &#8211; share with your classmates.<\/li>\n<li><strong>Abecedarian revision<\/strong> &#8211;\u00a0\u00a0Starting with A, write a statement about content from the unit. The next\u00a0post starts with B, and so on.<\/li>\n<li><strong>How are you organising your notes for revision?<\/strong> See <a href=\"https:\/\/www.bing.com\/videos\/search?q=Unjaded+Jade%3a+The+Revision+Technique+No+One+Tells+You%3a+How+to+EASILY+Remember+Anything!&amp;&amp;view=detail&amp;mid=E0E41CE7FA50E34F900AE0E41CE7FA50E34F900A&amp;&amp;FORM=VDRVRV\" target=\"_blank\" rel=\"noopener\">Unjaded Jade\u2019s flashcards<\/a> that combine\u00a0images (pictographs) with text.<\/li>\n<li><strong>Present a reflection on your learning in a nominated form<\/strong><\/li>\n<li><strong>Create games<\/strong> like bingo cards or <a href=\"https:\/\/en.wikipedia.org\/wiki\/Top_Trumps\">Top Trumps<\/a> about the unit content.<\/li>\n<li><strong>What if?<\/strong> What if you did not know this information? Present this as a particular form.<\/li>\n<\/ul>\n<p><strong>Students using a discussion board in weekly non-compulsory activities learn together and form\u00a0a sense of belonging to a cohort of learners<\/strong>. They get to know each other as they synthesise their new\u00a0learning into their own interests. They can collect notes to revise before exams. These are neither\u00a0weighted activities nor tutorials.<\/p>\n<p>This also <a href=\"https:\/\/udlguidelines.cast.org\/\">ties to principles from Universal Design for Learning (UDL)<\/a>\u00a0&#8211; providing i) multiple means of engagement, ii) multiple\u00a0means of representation, and iii) multiple means of action and expression to maximise your students&#8217;\u00a0ability to learn and express their learning. It maps to the higher-order outcomes in Bloom\u2019s revised\u00a0taxonomy. For more ideas see <a href=\"https:\/\/philbeadle.com\/books.php\" target=\"_blank\" rel=\"noopener\">Phil Beadle\u2019s books<\/a> <em>Dancing About Architecture\u00a0<\/em>and <em>The Ultimate Plenary Book<\/em>.<\/p>\n<blockquote><p>In using creative plenaries, ancient memory devices, we can also tie these types of activities\u00a0to our Indigenous Strategy.<\/p><\/blockquote>\n<p>As we understand more about how ancient peoples thought and learnt\u00a0and remembered, and how they encoded memory devices in place, we can begin to understand how\u00a0destroying or dividing sacred sites is like destroying the encyclopedias, libraries and universities of\u00a0ancient peoples. Ancient knowledge may be partially spiritual but is also situated in concrete reality.\u00a0This is true for <a href=\"https:\/\/www.nma.gov.au\/exhibitions\/songlines\" target=\"_blank\" rel=\"noopener\">Australia&#8217;s Indigenous peoples<\/a> and provides a way to value their knowledge which is\u00a0filed in Country and recognise this intelligence.<\/p>\n<p>Students of the University of Sydney report they lack a sense of belonging at the University. In student\u00a0surveys, the lowest-scoring category is Learner Engagement. The average positive rating for Learner\u00a0Engagement in 2020 in the Higher Education Student Experience Survey was 44%.<\/p>\n<blockquote><p>By asking students\u00a0to encode their learning into objects on campus, we can engineer a sense of belonging and even help our students file their knowledge on campus.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>When you think of ancient memory devices you might think of a memory palace. 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